In latest Creative Characters newsletter from MyFonts, designer Julia Sysmäläinen talks about designing FF Mister K, the typeface based on Franz Kafka’s handwriting used by Peter Mendelsund for his redesign of Schocken’s Kafka covers:
Originality, authenticity, and honesty are crucial qualities to me. I think Mr. K has all of that, just like Franz Kafka’s manuscripts do. While I was working on it, I realized that while Mister K is a font, it is also the visualization of a personality. The font is not pretty, or beautiful in the classic sense — and it doesn’t want to be.
It’s a bit like Kafka’s work. There is no beauty in it as such, but rather a confrontation with reality that goes so far as to be repellent. There are all kinds of attributes — stupidity, cunning, weakness, strength, bitterness, humor, lightness, etc. The authenticity of this confrontation is visually reflected in the manuscripts — and also in Mister K Regular, the style in the font family that is most similar to the original Kafka manuscripts.
Whoever wishes to use the typeface must be willing to embrace this ambiguity. Mister K is not particularly suitable for lending a consumer-friendly smoothness to some brand; but there are corporate identities to which it fits very well. I was pleased to see it used by the Norwegian band Flunk, for Stokke highchairs, and for wellness products by Dresdner Essenz; and, of all things, in the logo of an upmarket design hotel in Berlin, Das Stue. What I found even more astounding was its appearance at the international insurance company Watson Towers (an ironic coincidence, as Kafka himself was an employee at an insurance company). But somehow it made sense: “The organic, hand-drawn nature of the logo and graphic system creates a personal and distinctive look amidst the impersonal, corporate, language of its competitors…” — that’s how Interbrand, the design agency, described the project. In its semi-perfection the typeface simply oozes a kind of honesty. That’s its strength, and brings it closer to a lot of people.
Via: The Casual Optimist